Friday, January 3, 2025

Blue Bride

Here's an oldie but a goodie from January 2008, reprinted on my sister and brother-in-law's anniversary.

The bride wore white trimmed in blue. Her dress was white, her skin blue.

The day last week when my sister and her fiancé were married, the thermostat at the Disney World resort — where the wedding was outside — read 37 degrees, with a wind chill in the upper teens. Somebody said it was the coldest day in Florida in five years.

If this was a fairy tale wedding, it was a Russian fairy tale – all ice princesses, helmeted heroes with frosty beards, and castles viewed through sheens of hoarfrost.

The couple stood on a hill overlooking a lake, the better to capture the vivid azure sky over the resort. It offered no protection from the wind, which tore off the bride’s veil and sent it careening toward the beach. The Disney wedding consultant, on hand for just such eventualities, caught up to it before it scuttled crablike across the sand and into the water.

At some point, the violinist took a break from playing “When You Wish upon a Star” — nobody could hear it over the howling wind, anyway — to drape his coat over my daughter’s shoulders. A caterer covered my wife and mother with white tablecloths.

“It wasn’t one of the top ten things you expect to see at your wedding,” my sister said later, speaking of the moment she turned to face the stalwart few huddled together for warmth and saw half of them bundled in linen.

At the couple’s request, the minister bypassed the Bible readings and kept his own comments brief. He asked the bride if she did, and she did. Then he asked the groom, who did too.

The weather being what it was, they cut the cake quickly outdoors but deferred sharing it until that night, at dinner inside a warm restaurant, after everybody had retreated to hotel rooms and hot showers and a strict accounting of toes and fingers. No extremities were lost.

Despite an uncooperative Mother Nature, there were no Bridezilla moments, no pre-, mid- or post-ceremony meltdowns of gargantuan — or any other — proportions.

It boded well for the future when the groom removed his jacket and used it to cover the bride’s bare arms. Later, the minister promised to be available later to give last rites to anybody who contracted pneumonia during the ceremony. To date, nobody has.

We spent the next two days in Florida, and the weather never warmed much. It clouded up one afternoon, then rained. The zipper on our suitcase split the morning of our flight home, forcing us to buy an overly expensive replacement from the hotel gift shop. (The people who call Disney the happiest place on Earth are the same ones who collect the tourists’ money.)

Meanwhile, the weather that last day was sunny and warm, with a high around 80 degrees. We experienced it from the airport terminal.

It was one of those vacations that everybody has sometimes, the kind we remember long after the bore of perfection blurs other travel memories.

Still, it was the week my kid sister got married, and the day we welcomed both a brother-in-law and nephew into the family, and that made up for the cold, the rain and the split zipper. It was still a fairy tale wedding with a happily-ever-after ending.

People who weren’t there will look at the photos and see only the clear skies and the wide smiles. They will see no evidence that we shivered and shuddered throughout.

Unless they notice the slightly blue tinge around the bride’s lips.





Thursday, January 2, 2025

BLUE ÖYSTER CULT: 50th Anniversary Live in NYC, Third Night (2 CD + DVD)


 

The third and final release of Blue Öyster Cult's 50th-anniversary celebration is perhaps the one most keenly anticipated by fans because it includes a live rendition of Secret Treaties, arguably the band's finest album.

And 50th Anniversary Live in NYC Third Night (Frontiers) does not disappoint. From the opening chords of "Career of Evil" through the closing strains of "Astronomy," this latest iteration of BÖC rips through the Secret Treaties set with an enthusiasm that belies the individual members' age and instead demonstrates their musical assurance. 

It helps that many of the Secret Treaties songs have found a permanent home in the band's setlist for the last five decades. "Subhuman," "Dominance and Submission," "M.E. 262," "Harvester of Eyes," and "Flaming Telepaths" are all familiar, even to casual fans of the band's live performances. Sadly, most have fallen out of regular rotation on rock radio, which is less a commentary on the songs' quality than it is of the moribund state of AOR rock in 2025. 

The Secret Treaties material is followed by a smartly chosen second set, highlighting BÖC's eclectic catalog. While the obligatory tunes ("Burnin' for You," "Godzilla," and "(Don't Fear) the Reaper") are represented, so too are lesser-known gems. The band's collaboration with fantasy writer Michael Moorcock, "Black Blade," sounds terrific, as do "I Love the Night" and "Joan Crawford," from the Spectres and Fire of Unknown Origin albums, respectively. "The Alchemist," a standout track written by BÖC's latter-day jack of all trades, Richie Castellano, is also a welcome addition here, carried over (maybe for reasons of length?) from its performance on Night Two. 

Night Two's musical guests Kasim Sulton and Albert Bouchard are back for Night Three (Bouchard plays all three nights, as well he should), joined by Andy Ascolese on keyboards when Castellano is busy rocking the six-string during the aforementioned "Alchemist." Jules Radino on drums and Danny Miranda on bass provide their usual exemplary performances. 

But BÖC's two longest-tenured members, founders Eric Bloom on vocals and Donald "Buck Dharma" Roeser on lead guitar and vocals, deserve the most praise. How often has Bloom introduced "Godzilla," yet still cackles with maniacal glee? How often has Roeser played the solo from "(Don't Fear) the Reaper), yet still wrings emotion from it? At a time when many of their contemporaries are long retired, these two only talk obliquely of "winding down" at some indefinite point in the future. 

And if so, retirement will be well-deserved. Yet if they still find the inspiration to do what they do, even with less frequency, then every performance is a gift from them to the fans. Which is a long-winded way of saying that a live album and DVD are great, but they're no substitute for fans seeing Blue Öyster Cult live while they still can.